Translation as negotiation : a musical perspective
| dc.contributor.author | Human, R. | |
| dc.contributor.author | Van Niekerk, C | |
| dc.contributor.other | Central University of Technology, Free State, Bloemfontein | |
| dc.date.accessioned | 2015-09-29T13:00:02Z | |
| dc.date.available | 2015-09-29T13:00:02Z | |
| dc.date.issued | 2010 | |
| dc.date.issued | 2010 | |
| dc.description | Published Article | en_US |
| dc.description.abstract | Discourse on translation studies is situated in this article outside linguistics, in musical studies. Contextualising and problematising issues when music from African choir culture is translated for non-Africans (Westerners) to perform, the main problem - translation as negotiation - is explored together with notions of hybridity, the 'Third Space', boundaries, identity, authenticity and cultural compatibility within performance contexts. Cultural studies bring to linguistics a wider perspective of translation; how translation studies relate to other disciplines and expressive forms, like music. The researchers argue that translation of African choir music for performance by non-Africans can only be achieved in cultural dialogue. | en_US |
| dc.format.extent | 4 070 577 bytes, 1 file | |
| dc.format.mimetype | Application/PDF | |
| dc.identifier.issn | 16844998 | |
| dc.identifier.uri | http://hdl.handle.net/11462/552 | |
| dc.language.iso | en_US | en_US |
| dc.publisher | Journal for New Generation Sciences, Vol 8, Issue 1: Central University of Technology, Free State, Bloemfontein | |
| dc.relation.ispartofseries | Journal for New Generation Sciences;Vol 8, Issue 1 | |
| dc.rights.holder | Central University of Technology, Free State, Bloemfontein | |
| dc.subject | Contemporary African choir music | en_US |
| dc.subject | Cultural dialogue | en_US |
| dc.subject | Translation | en_US |
| dc.subject | Negotiation | en_US |
| dc.title | Translation as negotiation : a musical perspective | en_US |
| dc.type | Article | en_US |
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